上海金山区枫叶学校高二语文课程西方文学经典整本书阅读专题插画篇（一）
挪威艺术家爱德华∙蒙克在艺术笔记里曾写道：“我的每一笔都在捕捉那些压倒性情感。”余华和苏童们聊天时也提到最好的散文、最好的小说都会给人带来一种“突袭感”。在我看来，无论是“压倒性的情感”还是“突袭感”都潜藏在伟大的文学经典中。因此在本学期的《看他们怎么写：西方经典文学整本书阅读》项目中我设计了这样一个任务：希望学生用自己擅长的方式或者学习合适的表达方式去捕捉文学经典中“那些压倒性情感”。
正如缪纪洲同学在学习心得中所写：“在这个学期里，我见证了聂赫留朵夫与玛丝洛娃的又一次相遇，与他们灵魂复活的开始；也在蒸汽缭绕的维多利亚时代看到了底层童工对对社会压迫的不屈；同时更是远赴重洋，来到拉丁美洲的马孔多静静的注视着布恩迪亚家族在百年来所承受的全部孤独；最后化身为瓦列里在那座无人而又无法逃脱的孤城中，坚强生存。有人说小说是杜撰的，是虚构的，所以是不真实的。但我想小说是虚构的，但也是真实的。马孔多小镇的故事是魔幻的，猪尾巴的男孩，传染的失忆症与失眠症，最后卷走的小镇的飓风。这是荒诞的，但在这背后后的确实拉美人民痛苦挣扎的轮回。智利的阿连德总统手持AK与叛军战斗到最后一刻时，在联合果品底下的员工被压迫时，拉美的迷失灵魂还未找到归宿时。圣地亚哥在下雨，整个南美都在下雨。书中的文字虽未写道这场雨，但又都沾染着雨水的气息。当我写小说时，先前或许想着彻底的魔幻与生活完全的割裂，但写下的文字却又处处透露着我生活的影子。小说如梦。”
今天我们将奉上学生们在加西亚∙马尔克斯小说《百年孤独》中所捕捉到的“那些压倒性情感”，致敬这些如梦般突袭我们的经典小说片段。本期作品分别来自赵宋琦、王圣蓉、刘奕伶、上田峻皓等同学。推文封面来自丁睿鑫同学作品《迷失》，推文封底来自贺泊闻同学作品《百年树》。
高中语文教师 朱琪
赵宋琦作品
插图一：等待雨停
插图二：黄色荒原
插画一：以“马孔多所有的居民都在等待雨停后死去，一路上，他看见他们坐在厅堂里，眼神迷茫，抱手胸前，感受着浑然一体，未经分割的时光在流逝。既然除了看雨再无事可做，那么将时光分为年月，将日子分为钟点都终归是徒劳。”的段落为灵感，绘画了我想象的建筑以及人们的样貌神态。
Illustration 1: "All the residents of Macondo died after waiting for the rain to stop. Along the way, he saw them sitting in the hall with confused eyes, holding their hands and chests, feeling that the undivided time was passing. Since there is nothing to do except to watch the rain, it is futile to divide time into years and days into hours. The paragraphs are inspired by painting the buildings I imagined and the appearances of people.
插画二：以“在雾气弥漫的隘道间，在注定被遗忘的时光中，在幻灭的迷宫里，他曾经一度迷失方向。他穿过一片黄色荒原，在那里回声重复着人类的所思所想，焦虑引出预示未来的蜃景。”为灵感，描绘了一幅心理活动的画作。
Illustration 2: "In the foggy pass, in the time destined to be forgotten, in the disillusioned maze, he once lost his way. He crossed a yellow wilderness, where echoed human thoughts, and anxiety led to a mirage that heralded the future. As inspiration, a picture of psychological activity is depicted.
王圣蓉作品
插图一：黑蝶
插画一《黑蝶》：“那边来了一个吓人的东西，”她终于说道。“好象安了轮子的厨房，后面拖着一个村镇。”在这片刻间，马孔多被可怕的汽笛声和噗哧噗哧的喷气声吓得战粟起来。马孔多居民们从喧噪的汽笛声和喷气声中清醒过来以后，都涌上街头，看见了从机车上向他们招手致意的奥雷连诺·特里斯特，看见了第一次晚点几个月的五彩缤纷的一列火车。这列样子好看的黄色火车注定要给马孔多带来那么多的怀疑和肯定，带来那么多的好事和坏事，带来那多的变化、灾难和忧愁。
I think the description of Macondo's train is very representative. The train symbolizing capital will continue to erode the closed town of Macondo in the days to come. In the upper left corner of this picture is a white door, which symbolizes the "civilized society" at the beginning of the 20th century. When the train leaves the door, the exhaust gas is mixed with black butterflies. In South America, the black butterfly is a symbol of death, suggesting the banana tragedy in the near future. Along with the train is a crow, which is also a symbol of bad luck in Latin culture. In front of the house ordered to be painted blue in the upper right corner stood a woman looking into the distance, a painting by Julian Dupuho, who was watching the roaring giant from a distance. The young couple next to him came from Evening Bell, and they were praying that the roaring train would not bring disaster. The man who looked up beside the train was from Bruegel's The Fall of Icarus. The person in the lower left corner is from "Scream", that is, the woman who said in the text, "There is a scary thing over there, like a kitchen with wheels, and a village is dragging behind.". I think the painting of Shouting fits her image of shock, surprise and fear when she saw the train for the first time. There are three "cries", which mainly refer to Andy Warhol's artistic style and further enhance the feelings of cry and fear. On the right side, there is a looming eye of truth, symbolizing the beginning of the influence of the American capitalist force "Banana Company" on Macondo.
刘奕伶作品
插图一：雪夜与城镇
插画一：画出了我心目中的马孔多。通过阅读和了解可以知道马孔多其实是拉丁美洲的缩影，那样的生活应该是饱受压迫的，所以我选择用冷色调来表现压抑沉闷的感觉，加上飘飞的大雪，显得更加的寂寥，也贴合了“孤独”的主题。